Earlier today, as we were driving along the spine of a ridge with a far view to the north of that steep range of low mountains I have known all my life, and which I to this day think of as my mountains, my papa said to me that his son, my uncle, had told him that he wanted his ashes scattered here on the day of the first snow of the year after his death. I asked him when his son said this. Four or five years ago, he said. Wonder how he feels about it now. A moment later he pointed his red finger at some steel beams standing upright in a level part of the pasture just below us, eight rusted poles equidistant from one another, four to a row. Those my papa said were going to be for the barn. He’d planned to build a house nearby. When I asked him why he didn’t my papa said: I guess he decided he wanted to do something else. We were deer hunting from the comfort of one of his several white trucks, my first time hunting at all in close to fifteen years, the pickup crawling from pasture to pasture, rising and falling through mare’s tails and tall reddish sage grass, from open hayfield to darkened thicket at the speed of three or four miles an hour, the sky above us heavy with clouds, the fading light the color of blood in a bruise. My papa’s green-stocked 6.5-millimeter Creedmoor lay muzzle-down against the floorboard between us, below the barrel of which rested two cardboard cartons of different caliber cartridges, neither very heavy, each containing twenty or thirty .17 or .22-250 caliber ballistic tips, which cartridges I’d just inspected following an anecdote in which my papa related, with muted but obvious satisfaction, the brief but happy story of how he’d recently used one to blow an unsuspecting turtle completely apart. We came out of the thicket and into another pasture. My papa pointed again and told me the name of the man who owned the land beyond the fence to our left. Like the names of most of the people who make their lives in these woods where my papa was raised and where he raised his daughter and son and where his daughter raised me, the name he mentioned was familiar but brought to mind no face, and though he continued to speak about some relative of the man, who may well have been a distant relative of ours — nearly everyone from this town is related to everyone else either by blood or marriage (or both) by at least the third or fourth or generation back (three of the first four crushes I had were on first, fourth, and third cousins respectively) — I no longer heard him, for I was thinking instead of a particular misty morning when as a young boy I’d watched his son shoe a horse, recalling the rough sound of file against hoof, the sharp tink of hammer on nail, the sweetish scent of horse and horse saddle and horse hay and horse shit and the cans of light beer he drank and tossed to rattle in the back of his truck: how, I wondered that morning, as I still wonder now, could a creature willingly endure having a nail driven into its body? I knew of only one other exemplar of such willing endurance. Even He, much to my bafflement, being that He was God, or so I’d been repeatedly taught and at that time thoroughly believed, that final night in Gethsemane, deserted by his lazy disciples, had not exactly welcomed the idea. Let this cup pass from me He said to God (Himself) but God (Himself) did not oblige Him — and then His friends fled before the approaching mob. So abandoned, Christ gave himself up to the trial of the Sanhedrin and the ambivalence of Pilate and then the public whipping and the nails, and it thus transpired, watching him drive nails into a horse, that I came to suspect him of something. Of precisely what I was not sure. All I knew was that he was my mother’s brother, and that he was taller and he laughed, on those occasions when he laughed, louder than anyone else, and that though the perpetual cast of his face belonged to his father, it was colder, twisting into a smile that looked kind on the elder and made the younger man appear cruel. In the truck, crossing the black water of a shallow creek, my papa laughed softly to himself. He was now talking about a recently dispatched coyote — two syllables: kai-yoat. I punched him, he said. My uncle was always something other. Now, writing this, I see that what I perceived then as his otherness was that unlike the rest of us, he was his own. He wasn’t God’s, like I was and my parents were, or so I was told. He wasn’t my papa’s or granny’s or mother’s, either, though they were of course related by blood. He was his own and it was through this, through his ownness, or so I now think, writing the initial version of this paragraph in the house where I spent the bulk of my childhood, on the night of the twenty- second day of the eleventh month of the year after hunting this afternoon with my papa, his father — it was through this fact of being his own and no one else’s that he came to emanate that immense solitude which I detected in him even then, when I was but five or six years old, watching him drive nails into a horse’s hoof. Another time, one evening at dusk at the high school where my papa worked as a maintenance man, after I’d been forbidden to do so, while my papa wasn’t paying attention to me, I watched him pull a sinister metal mask down over his face and take up a torch that spouted a strange blue fire and sent sparks in all directions. Seeing me look my papa said: Don’t look. You’ll go blind. (How I wanted to look! I wanted to look and keep looking.) My uncle welded and shoed horses and branded cows and drank beer and his wife took me riding and smoked in the pickup on the way to the rodeo arena and I never quite knew, other than her name, who she was. One night near the arena during the yearly rodeo I saw her then-husband drinking with my papa’s brother and some other men I did not know, or did not really know: their laughter, in the shadows behind the bleachers where I went to sit with my papa, erupted from some deeper and darker place in the body than the laughter of any of the men in my father’s family, or so I then thought. (When, I asked my papa, was the bullriding? You’ll see, he said.) They separated and later divorced and afterward I saw him less and less and have not seen her since, though their names remain beside each other on a certain headstone I know, which stands over the remains of my papa’s father and mother. Now, when I see him, my uncle, at ever lengthening intervals of years, even across one of the linoleum-covered tables at the café, it is as if we are looking at each other from the opposite sides of a vast pasture. He begins to speak and doesn’t. I begin to speak and don’t. At last he cannot put it off any more and he opens his mouth and his voice sounds as simultaneously familiar and strange to me as the shadows thrown by the lights of the rodeo arena glimpsed almost three decades ago. How’ve you been, he says. Though I have never once called him by his real name, he calls me by mine, which no one uses anymore. Scatter my ashes, he said, here, on the day of the first snow of the year after my death, while my papa and I drove from pasture to pasture, dense thicket to empty hayfield, and I looked up at those mountains I call my mountains, here in southeast Oklahoma — home — before I sat down to write the initial version of these words on the night of the twenty-second of November in the house where I was raised. Don’t look, he said again, more emphatically this time. Don’t look.

I see now that there was a question my uncle raised in me that took me a very long time to ask of myself, a question never fully expressed in words because I never doubted the answer, which was given to me over and over again throughout my childhood: to whom did I belong? First and foremost, or so I was told, to God. After Him, to my father and mother. What I glimpsed in my uncle was a different answer to the same question and it was precisely this that made him both who he was and thus fundamentally unknowable. That he was his own, and the immense solitude which resulted from this, though I did not have the words to express it until tonight, writing the initial version of this paragraph and the one above, the first two of this writing, was the true source of my childhood suspicion of him, or so I now think, writing this, sitting there in the barn on the short stool with the horse’s hoof propped up on his knee, a fine mist falling just beyond the barn door. Don’t ever stand behind a horse, he said. He’s liable to kick you. Why, I said. Because he can’t see you there, he said, and if he can’t see you, he doesn’t know what you are.

The sun is going down now over the ridge to the south, a different ridge from the one mentioned in the first paragraph of this writing, on my left, brush-covered, in more or less the same place that the moon went down last night. Through park-like woods behind me stands the house in which I grew up and in which I last night wrote the initial versions of the above paragraphs. Every now and then as I write I can hear the voices of my son and Elle in the yard, playing on the swing-set behind the house. Directly across the pond from where I sit towers a darkness of pines along a fence-line built by my father and his father more than twenty years ago, during a period of my father’s father’s madness. Beyond the pines flows the river, invisible from where I sit writing these words. A timber company planted these fast-growing conifers forty-odd years ago; when my grandfather bought the land for some two hundred dollars an acre in the early 1980s they were near their prime and ready to be cut. Now they are old for their kind, thick in their planted ranks. Most of the local buzzard population roosts together every night just beyond the pine plantation, in the mixed hardwoods that resume a dozen or so yards from the riverbank, high in a pair of bone-white sycamores at the mouth of a shallow inlet about two hundred yards from where I now sit, the carrion-eaters congregating in the dusk together above the shallow water, poking out the obscenity of their naked necks from within their black feathers as men’s dongs once extruded from dirty trench coats in the days of blue cinemas. In the early nineties, in the madness of his mid-sixties, my father’s father briefly thought he could fix himself by becoming a cowboy, a bizarre turn of events seeing as he hated cowboys more than anything else in the world, and it was then that he and my father built the fence, in what remains a concrete expression of his personality which he seems to have passed onto me: the gift or curse of mistaking metaphorical realities for material ones and vice versa. Shortly after he and my father built the fence that phase of his madness subsided and, though still attached to a few pines here and there, the fence itself rusted and fell into disrepair, and remains a monument to the rusting and falling into disrepair of his mind. (In such places as this one, in these woods for instance and along this river, where to abandon an idea often means to leave behind physical evidence of an internal wound, there are moments when to mistake the material for the metaphorical, as it turns out, may be no mistake at all.) Instead of running cows we went crow hunting. We, meaning he and his brother and my father and I, on what few good days in those years he had. He owned a battery-powered black box with a speaker into which one could insert a tape recording of the sounds of crows speaking to one another excitedly, much in the same tone as the ones I heard just now in the pines as I was writing the initial version of the previous sentence. One could turn on this box and then, if so inclined, the crows would come and, if so inclined, one could shoot at them (they were, and did; we were, and did). Just now I heard my son through the park-like woods behind me let forth a shriek. That swing-set behind the house, where my son just shrieked, was my father’s father’s final project, spurred on by the urging of his last remaining friend on one of his last remaining friend’s final visits. The only thing I knew about his friend was that they had known each other since they were boys together, as it seemed to me several centuries earlier, and that his friend was an oilman and, as such, quite rich. The boy isn’t shrieking anymore. I think he’s okay.

Once we went to stay at the oilman’s magnificent house and it was there, fearfully and for the first time and well before I ever desired to do so, that I slept with a girl. The purpose of our visit, if I recall correctly, was a funeral, in that county in the central part of the state where the oilman, my grandfather, and my father were all born. The fact of their having been born amidst that landscape, so altogether different in its particularities from the one in which I myself had been born and where we lived, imparted to it a mythic quality: in the far-flung pastures, the sweeping distances between the small stands of scrubby and brush-choked blackjacks, I imagined I saw the land of my true origins — the land of my father and his father and his father’s father — where there were no mountains and no cowboys that I knew of, only hills that rolled gently to the horizon as if blown there by the wind, where all my father’s old people either were from or kept, held in the various old person’s homes that to my mother’s horror I could not help referring to as funeral homes, in that place where everyone knew my father’s father and my father, and where, conversely, my mother and I had to be introduced — yes, here’s my daughter-in-law, this is my grandson — in that county where I stepped into the largest house I’d ever seen, the oilman’s, and was shown to a room down a long hallway on the second floor, in which above the fireplace hung something I’d never before seen: an oil painting of a girl of about my own age or perhaps a few years younger, whose eyes looked down at me and which produced a sensation I very much did not like, for I detected in her expression a certain envy, possibly because she was trapped there in the painting whereas I was not. I told myself she was not alive. She’s not alive, I said to myself a second time, but there could be no debate: alive or not, while in that room, no matter where I stood or sat or lay, her eyes never left me, and I was sure that when it was time for bed and I was condemned to sleep alone in that room with her that she very well might take her revenge for her lack of freedom. Just now a silent crow passed overhead and disappeared into the pines, heading in the direction of the unseen river.

It was when I was around my son’s age that I began to suspect that my whole life was being clandestinely filmed, though I did not know who they, the ones filming me, were. I did know, however, that they did not have permission to do so, and suspected, because they never showed themselves, that their motives might not be pure. One explanation for my initial suspicion is innocent enough. Even at that age I grasped, rightly I think, that there was no such thing as pure fiction, only real events caught on film or described in written words. (How could I think otherwise? We read the Bible every day and believed that in it were described real and true events.) If so, or so I logically assumed, all films must be made by hidden cameras. And yet the natural result of this thought belied a darker possibility, which caused me to worry that there might exist a fiction either beyond or in front of the real events of my life, namely that if my life were being filmed on the sly, or, even more disconcertingly, if my life was a film that had already been made, then it became possible that my father was not merely my father — if indeed he was my father — but rather a villain in disguise. (There were moments when he, like my uncle, rather than ours, seemed like his own.) This particular thought startled me one night when I woke in the passenger seat of his pickup truck as it rumbled along the rutted dirt road toward the cabin where we lived, which was owned by a man called Fears and as such called the Fears Cabin or Fears Place. It was so dark I could not see the man driving the truck. I assumed naturally enough that this man was my father but for one detail, which did not square with the image of the man I knew. There was something on fire in his mouth. I had seen other men with something on fire in their mouth but never my own father. And yet, waking, there he was, or rather someone was, driving the darkened truck with something on fire in his mouth. To make matters stranger still, when I recall this memory to mind, I am seated on his right and the truck is headed not toward, but away from the cabin. Gradually as I now observe the memory to its conclusion he begins to look more and more like my father and there the memory ends, for when I saw him for himself my alarm ceased. That night when the light was turned out I could not see the girl in the painting but I knew she was there. She took no revenge on me, but I remember waking the next morning with palpable relief at having made it through the night, my first with a member of the opposite sex not my mother nor sisters, and that at the breakfast table in the oilman’s house I was astonished to glimpse through the windows of that room a pasture that stretched farther than any I’d ever seen, with cows upon cows grazing there beneath a yellowish sky. As we ate breakfast a heavy rain began to fall beyond the high windows of the oilman’s dining room, a flash of lightning lit the pasture, and thunder boomed so loudly the panes rattled, causing my younger sister to scream, at which the oilman and my father’s father laughed. Writing this, I now somewhat doubt that we were there for a funeral, but also cannot imagine out of all the memories of my childhood for what occasion we would have stayed the night in that county where my grandfather and his son my father were born, other than to see someone buried.